|
| |
| HKIAAF 09 - Academic Programme |
| |
An Academic Programme of lectures and seminars by leading art experts from Hong Kong and overseas was held during the fair, promoting art knowledge and appreciation, as well as providing an opportunity for discussion and dialogue on the latest developments in the global art scene. For the full lecture programme, see www.hkiaaf.com/hkiaaf09/programme/programme.htm |
| |
|
|
|
| |
| Ms Catherine Kwai, Director, Kwai Fung Hin Art Gallery, Hong Kong, presented a lecture entitled “How to Appreciate and Collect Sculpture” which drew a large audience. Kwai Fung Hin Art Gallery’s booth showcased a major exhibition of contemporary Western and Asian sculpture, as well as contemporary Chinese paintings.
|
|
|
| |
|
| |
Ms Catherine Kwai, Director, Kwai Fung Hin Art Gallery, Hong Kong, presented a lecture entitled “How to Appreciate and Collect Sculpture” which drew a large audience. Kwai Fung Hin Art Gallery’s booth showcased a major exhibition of contemporary Western and Asian sculpture, as well as contemporary Chinese paintings.
|
|
|
|
|
|
|
|
|
|
|
|
| |
Beijing-based independent art researcher and consultant, Ms Tiffany Beres gave a lecture “Contemporary Ink: Introducing China’s New Generation of Ink Painters”. The lecture was presented by the Ink Society of Hong Kong and complemented its special exhibition presented at the fair. Ms Beres introduced the work of several emerging Chinese ink artists born after the 1970s. |
|
|
|
|
|
|
|
|
|
|
|
|
| |
New York-based art historian and gallerist, Mr Sundaram Tagore delivered a lecture entitled “India Modern: Art from 1857 – 2000”. Outlining the evolution of Indian modernism, Mr Tagore asked, if modernism is the rejection of tradition, how does a 5,000-year-old traditional culture manage to make modern art? A question which also underlined the entire thesis of the fair.
|
|
|
|
|
|
| |
|
| |
New York-based art historian and gallerist, Mr Sundaram Tagore delivered a lecture entitled “India Modern: Art from 1857 – 2000”. Outlining the evolution of Indian modernism, Mr Tagore asked, if modernism is the rejection of tradition, how does a 5,000-year-old traditional culture manage to make modern art? A question which also underlined the entire thesis of the fair. |
|
| |
| |
| |
|
|
|
|